The Guitar Plugged · Guitarist Index
Johnny Marr
The Smiths / solo
1982–present
Alternative · Rock
Layered jangle and arpeggios that made a guitar band sound like an orchestra.
Main guitar
Rickenbacker 330; Fender Jaguar and Jazzmaster
Signature sound
Bright, chorused clean tone with multiple interlocking tracks
Era
1982–present
Influence
88 / 100
Genre
Alternative / Rock
Why they matter
Layered jangle and arpeggios that made a guitar band sound like an orchestra.
Marr played almost no solos with The Smiths, which is exactly why he matters. His parts are dense arrangements — open-tuned arpeggios, capoed figures, tremolo, layered acoustic and electric tracks — designed to occupy melodic space alongside a singer rather than in front of him.
'This Charming Man' contains something like fifteen guitar tracks, including a knife dropped on strings, and still sounds effortless. That combination of complexity and lightness defined British indie guitar for forty years.
He has since played with Modest Mouse, The Cribs, Hans Zimmer film scores and his own records, and has kept the same textural instinct throughout.
The sound
Bright, chorused clean tone with multiple interlocking tracks
This Charming Man
Bright compressed Rickenbacker with layered overdubs; the shimmer comes from the arrangement, not a pedal.
How Soon Is Now?
Fender Twin tremolo units synchronised by hand to create the famous pulsing wobble.
There Is a Light That Never Goes Out
Clean, chorused arpeggios sitting under the vocal with almost no gain at all.
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Style & technique
How you recognise the playing
Layered arrangement
Multiple interlocking guitar tracks combining to make a single melodic bed.
Open tunings and capos
Altered tunings used to get ringing open strings against fretted melodies.
Arpeggiated riffs
Picked chord figures that function as hooks rather than accompaniment.
Rhythm-first thinking
Funk and Motown influenced right-hand playing under jangly voicings.
The rig
Instruments, amplification and effects
- Rickenbacker 330
- Fender Jaguar and Jazzmaster (Marr signature)
- Gibson ES-355
- Gretsch Super Axe
- Fender Twin Reverb
- Fender Deluxe
- Vox AC30
- Roland JC chorus
- Boss delay
- Fender Vibratone rotary
- Compression
- Rickenbacker single-coils, Fender single-coils
Essential listening
Where to start
- 011983
This Charming Man
The Smiths · The Smiths
- 021985
How Soon Is Now?
The Smiths · Meat Is Murder
- 031986
There Is a Light That Never Goes Out
The Smiths · The Queen Is Dead
- 041986
Bigmouth Strikes Again
The Smiths · The Queen Is Dead
Career landmarks
The moments that mattered
The Queen Is Dead
A guitar record built on arrangement rather than solos, and a permanent indie reference point.
'How Soon Is Now?' tremolo
One of the most recognisable guitar textures ever created without a dedicated effect unit.
The legacy
Lineage
Influenced by
Influenced
Noel Gallagher
Jonny Greenwood
John Frusciante
Adjacent players
More from the archive
The player who turned amplifier noise into a musical language.
The virtuoso who rewrote the vocabulary of rock guitar.
Session-hardened producer who built rock guitar as an architecture, not a solo.
The player who translated Chicago blues into British rock volume.
The restless technician who kept reinventing what an electric guitar could be.
The master of the long note — space, sustain and perfect note choice.